Average Reviews:
(More customer reviews)The Corel line of graphics software has always carried the burden of being the second choice and often the second experience of Adobe software users. Those who encounter the software after experience with the main Adobe-produced rivals (Illustrator and Photoshop) will experience it very differently than those who are looking to learn professional graphics from the start with Corel.
Though I am a very experienced user of Adobe products, I tried to experience Corel Draw (the vector graphics portion) and Photo Paint (the bitmap graphics portion) with an eye toward evaluating it as someone who wasn't already comfortable with a different interface, but who was interested in a professional level graphics package, as well as someone who may decide to transition away from the pricier Adobe products. I will offer my perspective from both of these viewpoints:
As a newcomer to pro graphics:
There is a lot of power and flexibility. Photo Paint offers alpha channels, lighting effects, masking, and a good selection of filters for those who want to "play" with images. It is able to open and save to a variety of file formats and can rasterize vector images. A lot of functions are quite intuitive (e.g., image straightening, filter effects), though programs with the breadth and depth of a professional program have a great many levels and no one who is new to them can grasp them immediately or without underlying knowledge of what all the terms mean. It's important not to mistake this graphics package as one designed for the hobbyist or person looking to modestly tweak images for web pages. The complex functionality it possesses is to allow folks working in industries that need finer work to get it done and it certainly allows for that and more.
In terms of how easy it is to understand the programs, CorelDraw is definitely a lot tougher to grasp, but that is the nature of vector graphics programs. However, I do believe that the way in which points (which are called "nodes" in Draw) are edited when working with Bezier curves could be more intuitive. Having to select each node and change its type by clicking a button in order to alter the way in which the control handles work is tedious. It'd be much better to have a modifier key to "break" curves where desired.
The help files and tutorials are excellent and I had not trouble tracking down information to help me do what I wanted to do. However, an absolute beginner will likely need to do the video training for more hand-holding than I required. It's hard to get your head around the way computer graphics work, but Corel certainly provides the tools to try if the user is willing to take the time to learn. The software can only take you so far when it comes to something this complex.
Corel also provides a huge variety of templates, clip art and fonts which Adobe does not. This makes the entire package more appealing to folks who work in publishing but do not create custom content and mainly want to tweak clip art or stock images.
As an experienced Adobe user:
One immediately resists every part of the interface which does not conform to what one is used to in Photoshop and Illustrator. This is much more troublesome in CorelDraw since drawing works best when one can use the tools effortlessly to gain the desired result. If you're looking to make the change to break free of Adobe's higher prices, the first thing you have to do is be patient with the interface differences. Some gritting of teeth may be involved. You'll likely find, on the whole, that some things are better in Corel's interface and some are worse compared to Adobe's, though Adobe's interface has a more professional and polished feel. The filters in particular sometimes have a cheesy and clunky feel to them, though they are easy enough to use.
The second thing you have to do is make sure that all of your native file format files (.ai and .psd) have been saved into more universally accessible formats (EPS, TIFF) as neither PhotoPaint nor Draw will reliably open all Adobe native format files. In my tests, native Photoshop files always opened but sometimes with missing layers. When I attempted to open an Illustrator native file, I was told the file was compressed (though it was not) and that it needed to be re-saved in an uncompressed state. Resaving as an EPS file fixed the problem.
Conclusions:
* If I wanted to prepare myself for work in the graphics industry and wanted something less expensive than the Adobe CS package, I'd not hesitate to buy this suite to learn the ins and outs of professional graphics, particularly if I were planning on working freelance. However, I'd keep in mind that most publishers will work in Adobe software and I may need to learn their software eventually if I were to pursue office work.
* If I were working in a publishing industry which did small amounts of editing of vector and bitmap images and needed to do color adjustments for professional printing, I'd seriously consider the Corel Suite though I'd investigate how effective the color separations worked for my particular needs. However, I would not rely on it for layout work (nor would I rely on Illustrator or Photoshop for layout) unless I only worked with flyers, brochures, posters, or other very short documents.
* If I were an Adobe user looking to break free of the expensive shackles of Adobe software, I'd have to think long and hard before making the change as there would be some productivity loss getting acclimated to the interface and some differences in functionality that I may not want to accept.
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